Up at the Athenaeum, one of my colleagues brought in three glass bottles found while digging in her garden and asked me to take a look at them.
Friday, 5 June 2026
Bottles (again)
Tuesday, 2 June 2026
Finding Louisa
Following on from finding that one of Louisa Crow’s stories was republished in the New York Times, I thought I’d do a very simple search of Trove, Papers Past NZ, and Welsh Newspapers Online to see if her stories were also being republished elsewhere.
As I said, it’s strange how someone who, while a popular hack novelist of her time, seems to have completely dropped out of the canon of nineteenth century novelists.
There’s nothing particularly remarkable in her writing serial stories for magazines, quite a few of her peers did the same thing, only to have their serials republished as a three decker. Dickens did the same, as did Wilkie Collins and Mary Elizabeth Braddon.
And newspapers, especially the weekly papers, and papers in rural areas liked to have a serialised novel, if only to attract repeat purchases of the paper. The social historian David Kerr Cameron has recorded the importance of the Friday or Saturday paper in rural Scotland in the nineteenth century, where often the weekly newspaper was the only reading matter in a croft, other than a Bible.
The literary historian Katherine Bode has investigated a similar phenomenon in rural Australia, and has uncovered lost novels which only appear to have been published as newspaper serials.
So, to the search.
Trove and PapersPast NZ differentiate between newspapers and magazines. In both cases I searched for the occurrences of the string Louisa Crow - this reliably brought up mentions of her. Searching for Mrs L Crow did not improve the results, suggesting that she was principally known as Louisa Crow.
A search of Welsh Newspapers online shows frequent mentions in book reviews and in advertising for new books and issues of the Quiver suggesting some popularity. She does not appear to be credited for any serialised novels - I’m not sure why - it could be that she simply wasn’t particularly popular in English speaking Wales.
As a sanity check I later reran the search on the SLV's copy of Gale NewVault, and both her stories and poems seem to have been syndicated to a wide range of English, Scottish and Irish newspapers, which suggests that perhaps the results from Welsh Newspapers Online are an anomaly.
On the other hand a search of Trove shows that her stories were reprinted in various country newspapers of the time in Australia and she was thought worthy of mention in various booksellers adverts, and strangely one of her stories was reprinted in the Presbyterian calendar of 1893 - a church annual magazine.
As in Wales, she seems to have been less popular in New Zealand, with very few hits in Papers Past. As in the case of Wales I can only wave my hands, I don’t know enough about nineteenth century newspaper publishing in New Zealand to speculate meaningfully.
So, where does this leave us?
Well, Louisa Crow was well enough known to be mentioned in the Times of London of 01 January 1896 in their list of significant personages who had died in the previous year, as well as earning a couple of obituaries in literary periodicals of the time.
However, as I’ve said, she seems to have almost completely dropped out of the literary canon since her death, which I guess simply shows just how fleeting fame can be...
Saturday, 30 May 2026
Mrs Crow continues to confuse
Yesterday, up at the Athenaeum, I had some fun tracing Louisa Crow, a nineteenth century female novelist.
We hold a copy of one of her novels, yet the novel is not listed in either the British Library or National Library of Scotland catalogues.
Normally I use Google to search, but given the paucity of information about Mrs Crow, I thought to rerun the search using both Bing and Yandex, to see if they turned up anything else.
As is sometimes the case Yandex produced some search results that surprised me:
Firstly a link to the New York Times of August 12 1866, which features a short story, Hazeley Mill, by Louisa Crow. (It also features a poem by Algernon Charles Swinburne, exalted company indeed for someone usually considered a Victorian hack novelist.)
Secondly, a link to an 1866 illustration held by Aberystwyth University for a story Hazeley Mill in Once a Week magazine, a magazine Louisa Crow published in.But was it really Louisa Crow?
Well the Hathi Trust archive of Once a Week from 1866 includes Louisa Crow's story, so I am guessing that in the way of nineteenth century newspapers, the Times republished the story, and indeed it does credit it as coming from Once a Week.
The dates fit, meaning I think we can be confident that the story is by "our" Louisa Crow, even if it does not appear in the usual lists of her short stories on Victorian literature and Victorian studies sites.
It's interesting how someone who obviously had some sort of reputation can almost totally disappear from literary history...
Friday, 29 May 2026
Louisa, you have led me a merry dance...
Up at the Athenaeum today I had a good day's cataloguing, mostly of Victorian lady novelists.
That has its own challenges, like those books published by "the Author of Lord Halifax's Nose" - I made that up, but it's uncomfortably close to the truth, or authors who publish books under their maiden name, get married, and then publish under their married name.
Annoying, but there's so much in the way of Victorian literary studies out there it's relatively easy to run them down - quite often there are name authority files out there, if you can find them.
I find that the National Library of Scotland is a bit better than the British Library in publishing name authorities, but working between the two of them you can usually identify both the author and the edition.
In fact it's quite amazing I can do this sat at the end of a wireless nbn connection in an old wooden building on the far side of the planet - fifteen or twenty years ago this simply wouldn't have been possible, or if it was, it would have been a hell of a lot more slog.
So I was feeling quietly confident when I came across a book published in 1873 by a Mrs L Crow - A Twisted Link, published by Tinsley brothers in London.
Only one problem - it's not in either the NLS or BL catalogues. It's not in the Library of Congress either.
Google books wasn't much help either, other than showing that the book was listed in various nineteenth century public library and mechanics institute catalogues that had been digitised.
Clearly I wasn't delusional, I had the book on my desk, and however short its print run it had been picked up by other libraries at the time.
But who was Mrs L Crow?
Well I ended up searching wikipedia for pages containing the phrase 'A Twisted Link' and found that her full name was Louisa Elizabeth Crow and that her maiden name was Fenn.
There's also an entry for her on victorianresearch.org.
So, back I went to both the NLS and the BL to search for "Louisa Crow".
That turned up various of her other novels, but not 'A Twisted Link'.
Searching for Louisa Fenn OR Crow didn't improve matters one jot.
Google Books was a little better and provided a stub entry, but nowhere seems to hold a copy.
By 1873, legal deposit in England was firmly in place and publishers were prosecuted for failing to comply with the legal deposit regulations, so I can only guess that someone at Tinsley Brothers stuffed up and didn't send out the legal deposit copies...
Sunday, 17 May 2026
So, how's the facebook thing going?
Almost three years ago, at the end of the pandemic I made the decision to abandon social media.
I closed my accounts, deleted my profiles and did the digital equivalent of going to live in a hut in the bush, with only an old manual typewriter for company.
Sure, I still blogged, and I did keep my mastodon account, but for all intents and purposes I had walked out the door.
I did this because, post pandemic, I felt I was spending too much time on social media and it was time for a break.
And it worked.
And then, a few months ago I rejoined facebook.
Quite consciously and deliberately as part of my work with the historic book collection at the Athenaeum.
In its early days, the Athenaeum was clearly buying second hand books from large commercial circulating libraries as Mullen's in Melbourne and Mudies in London, and, while I have no proof I'm fairly certain that they were buying them from second hand book dealers who imported their stock from England.
This makes perfect sense - books were expensive in the Victorian England of the 1860s and 70s, and doubly so in Australia, where the lack of local publishers meant they were almost all imported from England, although a few were imported from the United States.
Some of the books I presume were sourced from England had stickers suggesting they were the property of smaller local circulating libraries, quite often in coastal resorts where the middle classes of Victorian England would spend their summers, either in improving pursuits such as rockpooling as in this satirical illustration from Punch in the 1860s
Friday, 8 May 2026
The things one finds in old books ...
Despite still feeling a bit raw after Lucy's passing, I had my usual Friday morning cataloguing session at the Athenaeum.
Nothing of great interest, some 1940s and fifties bodice rippers, and quite a bit of Dickens.
Some of the Dickens editions are quite old, one is a Chapman and Hall edition of Little Dorrit dating to 1861, and others look to be equally old, and form part of the same series, but have irritatingly lost their title pages.
Others date from the 1930s and seem to have been bought deliberately to replace earlier copies which have worn out beyond repair.
However, the old editions were still in use until the closure of the Athenaeum as a library in the early 1970s
Friday, 17 April 2026
Swapping out my old Thinkpad for an Acer Travelmate
Last week, Ausnet left the Athenaeum in the dark (literally) while they carried out preventative maintenance in advance of winter.
Up till then I'd used my old Thinkpad, the one I'd used to document both Lake View and part of Dow's pharmacy for the National Trust.
As I'd feared, the Thinkpad's battery is not what it was, and I ended up swapping over to an Acer Travelmate I'd originally bought as a second machine for J.
Last week's power shenanigans convinced me to try shifting to using the Travelmate full time for my cataloguing work.
As you'd suspect, it coped comfortably with this morning's cataloguing session, leaving me with just over half a battery's worth of power when I shut down.
I thought the smaller screen might be a problem, but in practice it turned out not to be.
It's going to be the Travelmate for cataloguing work until further notice...
Prayer and hymn books
Today I started work creating stub catalogue entries for those prayer books and hymn books we decided to record and save.
Needless to say they are all very similar. Most were printed by James Nisbet, a major publisher of hymn books and prayer books in the nineteenth century.
Friday, 10 April 2026
Joseph King's cheap circulating library in Norwich
One of our items is an 1841 edition of The Heiress and and her Suitors, which has a stamp from Joseph King’s Cheap Circulating Library in Norwich.
1841 is unusually early for the collection
- we have very few books from the mid 1850s as the Athenaeum was only founded
in 1863. What we do know is that many books were bought second hand from book
importers some of whom bought up stock from failed circulating libraries in the
UK.
Searches of those trade directories for Norwich and surrounding towns which are available online (principly via the Universith of Leicester) do not list Joseph King’s library
➜ a circulating library run by King and Baker in Bridewell is listed in the 1845 edition of White’s directory
➜ no circulating library owned by anyone known as King is listed in the 1854 directory
➜ no directories from the late 1850s/early 1860s are available online
with kind assistance from Darren Armstrong of
the Norwich Heritage Centre, Belinda Kilduff of the Norwich records office, not
to mention invaluable help from Hannah Henderson and Bethan Holdridge of the
Norwich Museums service in pointing me in the right direction, I think I can
now make up a story.
King and Baker’s circulating library was in
business in the early 1850’s but was not listed in any trade directory after
1856.
The Norwich Heritage Centre actually holds
a catalogue for King and Baker’s library which lists the Heiress and her
Suitors as one of the books available.
Unfortunately the catalogue is undated.
- King and Baker were in partnership until sometime after 1854 when the business ceased. - King tried to continue the business but was unsuccessful and the stock sold
- We know there were brokers who bought second hand book from circulating libraries, including failed ones, for export to Australia
- It’s more than a tenable suggestion that King’s stock was bought up and exported to Australia.
- As the Athenaeum library did not start until 1863 it’s possible that the book may have been in use elsewhere and resold before coming to Stanley, but the evidence would seem to suggest that it would be one of the earler acquisitions in the historic book collection
Tuesday, 7 April 2026
Dust jackets
Earlier today I tooted a link to an online article on the history of dust jackets - you know, these paper sheets folded around hardback books.
Working with historical library books up at the Athenaeum, I don't get a lot of time with dust jackets - those from the 1920s and 30s are mostly gone as are the majority of those on later books, although sometimes the dustjacket illustration has been pasted on the cover like this
Saturday, 14 March 2026
Travels with an old surface
We’re mid way through a road trip out west in the south west corner of WA.
Not the best time – what with the chaos in the Middle East and dodgy petrol supplies.
However, this is not what this is about. We had hired a little, and I mean little, rental MG that sips unleaded 91 with the frugality of an elderly aunt with a cup of darjeeling, so we are managing. Yes fuel is a lot more expensive, but so far it's not the big deal it might have been
However, this is not what this post is about.
It’s about what sort of technology I took with me, as this time I did something a little different.
Normally I take an old laptop with me. This works fine for online banking, uploading photos from my camera - normally I take a little point and shoot iXus with me, it’s a little more versatile in bright light etc than my phone - email, and a little bit of writing.
Usually I take a windows device, but there’s no reason why, just habit. Any of my Linux laptop would work just as well, and as Chrome’s now available for Linux there’s none of the dread ‘unsupported browser’ errors that you don’t want to see in the middle of some online banking.
Until it died on me I used to use my 2012 vintage MacBook Air, before that a little Linux netbook.
After the Air died on me I’ve been through a couple of refurbished windows machines, which work well, but do tend to be heavier and bulkier than my old Air, which is a consideration when flying as I usually take an old iPad with me these days to read the news and a bit of recreational surfing, not to mention a bit of streaming and casting.
One thing we’re increasingly noticing is AirBnB’s where there’s no antenna - you can watch the internet channels, or if the app for the service you want isn’t installed, cast from your iPad. (Usually they seem to have Netflix and Stan installed, plus the apps for the commercial networks, but no ABC or SBS)
The same goes for radio. Want to listen to the ABC morning news?
Download ABC listen and stream via your iPad.
Way of the world I guess.
We flew to Perth from Melbourne.
On an end to end road trip it doesn’t matter what I take, there will always be space for a laptop and an iPad.
If you’re flying part of the way it’s a little different, especially since airlines started getting twitchy about the size and weight of cabin bags, not to mention the sheer hassle of taking a heavy bulky backpack through security.
So this time, as well as a checked bag, I took a smaller backpack, the sort of one you’d take on a day hike, say 30-35 litres, into which I stuffed an extra warm layer in case the plane was cold, an iPad, and my refurbished Surface, and other essentials that you don’t want to lose along the way, like the Surface’s charger (new ones don’t need a special charger, but my old refurbished device does), my glasses, diary, pens, paper and my kindle, as well as my phone and my wallet.
This made for a reasonably compact pack well within Qantas’s cabin bag guidelines, and everything else was in my medium size case that fitted into the back of our little rental MG.
As a solution this worked well.
The Surface did everything I asked of it - not quite true, my portable SD card reader didn’t work with it for some reason, but it let me do our online banking, and a bit of writing, and was comfortable to use as long as I had access to a table.
Public libraries are an absolute godsend in this regard.
And for everything else there was the iPad.
So, why not simply use my Chromebook?
Good question. After all I do use my Chromebook when we’re away for a night or two.
One, the Chromebook is heavier than an iPad - it’s about the same weight as the Surface, and it has only one single USB3 socket, which potentially makes uploading from my camera a bit of finger in the ear exercise.
There's also the problem that it needs reasonably decent internet to be more than a gray plastic brick. While things are definitely better with an internet connection the Surface can be used without connectivity.
Ergonomically, both are the same, near impossible to use on one's knees, or on a tray table on V/line or in Qantas economy (not that you can use a Chromebook during a flight due to Google not having implemented a flight mode option. Equally, the lack of wifi on V/line trains tends to render Chromebooks less than useful.)
The Surface had a single old style usb socket into which I could plug my SD card reader. The theory was that it would just work.
Unfortunately the theory was wrong.
If it had worked I should have been able to drag’n’drop as I would on a Windows or Linux laptop.
As it was it didn’t - I should have tested it and it’s my bad I didn’t.
And that brings us to the second reason for choosing the surface. It is fundamentally a general purpose Windows computer and I can run my preferred software ( Libre Office, Notable, Thunderbird) on it and save to one drive, which is my preferred storage solution…
Friday, 27 February 2026
A morning of puzzles
Today at the Athenaeum was most definitely a day of puzzles.
I’m continuing to work on either those books which were
published anonymously, such as by ‘A Lady’ or those where the book has lost its
title page and some detective work is required to trace the book.
First up was Mattie: - a stray by Frederick William
Robinson, easy enough to track down with the new British Library catalogue, but
all three volumes had very damaged labels from a circulating library I did not
recognise
If you play about with the image you end up with something
like this
And if you squint you can just make out the word Buzzard
about two thirds of the way down.
Searching Google for phrases such as Buzzard lending
library was frustrating. Put quotes around it and a search produced zero
results. With out quotes, Google, in its AI powered clever dick way wanted to
tell me about lending libraries, but I eventually tracked down an entry from a Sands and MacDougall directory
from the 1860s that listed Buzzards Lending library as having been founded in
1853 and having a collection of over 5000 volumes – obviously Buzzards were a
substantial concern in their time before Mullens dominated the Melbourne circulating
library scene.
As a bonus, the Sands and Macdougall directory included an
advert for Buzzards
Which was most definitely a win.
The other find was an 1841 edition of The heiress and her suitors. First published in 1838, The identity of the author has remained a mystery since publication. If you're curious to have a look at the book, following the link will take you to a digitised version on Google Books via the National Library of Scotland’s online catalogue.
As I said, the identity of the author has defeated generations of scholars, but when I opened up the book
to catalogue it I found something almost as interesting, this most impressive stamp from Joseph King's circulating library in Norwich in the UK:
While it clearly shows that the book had originally come from Joseph King’s
circulating library in Norwich, I’ve not been able to trace the
library in Bridewell Alley Norwich, but it’s interesting that such an early
publication ended up in the Stanley Athenaeum on the other side of the world
some twenty or thirty years after it was published…
Tuesday, 17 February 2026
A generic e-reader
I've just bought myself a generic e-reader.
It came from ebay for around a hundred bucks. If you search on ebay for 'ereader' you will see that various retailers are selling what looks to be basically the same device, sometimes branded, sometimes not.
This example was unbranded and came nicely packed in a decent box with some shock absorbing packaging around it.
My reason for buying it was simple - to replace the dogfood tablet .
There are a lot of interesting nineteenth century traveller's accounts out there not to mention that a lot of golden age mystery novels are becoming public domain and available via Gutenberg, and while I have a kindle, and an iPad, I was finding that I needed a second simple e-reader for the public domain epubs.
The model I chose is fairly simple. No wifi or anything like that, you simply plug it in to a USB port on your computer and it presents as a USB file system
and you simply copy files to it.
It has quite a nice colour e-ink screen, but it's not a touch screen meaning that navigation is via a set of clicky buttons on one side of the device.
and, while I havn't investigated its capabilities, it claims to be able to play mp3 files, meaning that I could potentially use it to listen to downloaded podcasts.
No bluetooth of course, but there's a headphone jack for a pair of old school wired earbuds.
The model I bought came with 16GB of storage and there is an option to add additional storage via a tf card.
Basically, the device is not much more than a 2026 re-imagining of my long gone Interead Cool-er.
As always with such devices, the real test will be how much I use it and how well it stands up to use. I'll provide an update in six months or so on how it's going
Friday, 13 February 2026
Ah, the online safety act
Recently, I wanted to read a post by the historian Lucy Worsley.
Like some other people whose work interests me, she tries to monetise her posts by posting on SubStack - nothing wrong with that, I've even thought about doing that myself - but given that SubStack has gained a reputation for hosting some politically dubious material, I have never signed up for a SubStack account,
But the post was allegedly free to read, so as an experiment, I thought I'd create an account using a dummy email id which I'd delete later. After all no money needed to change hands, and Ebeneezer Wallaby would count just as much as a click as yours truly.
Well, creating a dummy account worked, or rather it did until the Online Safety Act got in the way.
Australia, bless its little cotton socks, tries to protect young people from some of the excesses of social media by not allowing kids under sixteen to have accounts.
Personally I have some reservations about this - it could make kids in rural areas who are a bit different - say they are interested in botany rather than footy - even more isolated as it shuts them out of online communities of like minded individuals, but overall the intention behind the act is good.
On the other hand, I've seen some things on the internet that I wouldn't like my niece's fifteen year year old daughter to see while she's still young and impressionable.
Substack, though it is not legally required to, now requires age verification to create an account, which is a good thing, and that either means a selfie or government id like my drivers licence or passport number.
Now I don't mind sharing a selfie - I'm an ordinary looking old bald guy who wears glasses
and my picture is probably scattered around the internet already, but I do object to sharing my government id for the simple reason that's what things like banks use to confirm that you are you and that's the sort of information I give out grudgingly.
However, at this point I decided I was on a losing wicket and abandoned the attempt, so I'll never know what Lucy Worsley wrote about Tudor personal cleanliness...
Fumigation
It's a Friday, which in my case means a morning cataloguing up at the Athenaeum.
I'm finally on to shelf A1, which includes all these anonymous Victorian novels by 'A Lady' or some such anonymous pseudonym, plus quite a few novels where the spine has split and the title page has gone missing, and no one quite knew what to do with them.
Tracing these usually includes a bit of sleuthing, but usually, if the spine is at all legible, the British Library and National Library of Scotland list the editions - and sometimes you can work out the likely edition from habit of late nineteenth century publishers of putting adverts for upcoming new books in the rear of the book, which can give you the actual publisher and the approximate date of publication - for example, if the British Library records 'Daisy's cycling adventure' was first published in 1894 and had published an edition of the book you are trying to catalogue in 1893 and another edition in 1897, chances are you are holding the 1893 edition.
A bit hand wavy I know, but the best I can do under the circumstances.
I've also found a nice example of a library label that explicitly mentions fumigation
Otherwise, no really spectacular finds, a couple of Mullen's labels on older pre 1880's books that fits in with what I've already deduced, that they were sourcing books second hand from both Mullen's and overseas.
Now we know that a Mullen's subscription was a bit like a subscription to Netflix, and at a guinea a year (roughly equivalent to A$220 today and not that different from the cost of a standard ad free Netflix subscription today), but how much did a standard Victorian triple decker novel cost?
Well, I have not been able to trace the cost in Australia, but in the UK a three volume novel cost something around thirty shillings (£1.50) in 1870 which using the Bank of England inflation calculator come to roughly £150 or a little under A$300 today, making outright purchase something only the wealthy could afford.
(As a comparison the Aunt Mildred's of the 1870s, surviving on their fixed incomes of around £500 a year (roughly A$100000 today) might seem not to badly off and and able to afford a novel or two, but she would have to maintain a household out of her income - a ladies maid would cost Aunt Mildred £20 a year plus living expenses. Add a cook and a maid of all work to do the less glamourous tasks, that's probably a fifth of Aunt Mildred's income gone on domestic help.
Under such circumstances it's not surprising that Aunt Mildred probably had a subscription to Mullen's, rather than buying books outright.
Inflation wasn't a real problem in the late nineteenth century, but by the early 1900's, advances in technology and increased competition meant that books were much cheaper, meaning that my grandfather's first wife, Catherine Gracie, who was a housemaid would have been easily able to afford a yellowback novel or two priced at between one and two shillings out of her £25 salary, while thirty or so years earlier, her mother would not despite earning similar amounts.)
Saturday, 7 February 2026
It's storage, stupid!
Recently there's been some posts here and there about abandoning Big Tech (Amazon, Microsoft, Google, etc) and going it alone.
Partly driven by distaste for Big Tech, and partly out of concerns about digital sovereignty, and it's usually accompanied by a lot of handwringing about what alternatives to choose.
Well, I've been there. Inadvertently, but I've been there.
In the nineties I managed a PC desktop service for a university in England.
This included both student computer labs and (some) staff and admin desktops.
Budgets were tight, computers were relatively expensive, so we had a cost containment exercise. One of the constraints was the cost of software licences from Microsoft. To provide an office suite solely using Microsoft products would put a hole in the budget.
So we didn't.
We went out and bought a whole lot of alternative products with considerably lower licensing costs.
What eventually helped kill off our strategy was that the file formats we were using were incompatible with those used by the rest of the planet - it's no use writing documents in WordPerfect if you need to exchange them with colleagues elsewhere who use Word.
So, the first lesson is that whatever software suites you choose as your standards, they've got to seamlessly interwork with the default formats, which these days means Microsoft Office.
It probably doesn't matter what you choose, as long as it's well supported and unlikely to disappear. If it was me I'd start with Libre Office and make regular donations to keep the project funded, after all I wouldn't be paying for all these Office licences.
The other thing that helped kill using a Microsoft-lite desktop was the rise of the laptop.
We had a pretty good storage solution in place using large NAS servers, and once people had authenticated their managed desktop connected to their storage, which was backed up and managed for them.
However, storage was rationed as the hardware to provide a robust solution was expensive and providing a suitable backup service even more so.
Networking wasn't universal these days, so what usually happened is that people with laptops, which of course were used in a variety of locations between home, work and the cafe down the road, would keep their files locally on their machine, and if you were lucky they would back them up to some managed central storage now and again.
And then Microsoft started bundling Skydrive, now OneDrive, with office, and suddenly laptop users found they didn't need central provision anymore.
So, when companies like Microsoft, Google and the rest offered to provide storage and backup (as well as email) for a competitive cost, universities and large corporates jumped at it - it was cheaper and we didn't need so many of these pesky IT people.
And that has given us the world we have today.
And let's face it, it works reasonably well.
I've used OneDrive extensively for cataloguing and documentation exercises and to share the data with the project sponsors.
I've also used OneDrive to exchange documents between Linux and Windows machines in a work situation - yes Linux is fiddly and not for everyone, but it can be done.
Equally, you can use a lightweight distraction free machine for offline research and documentation and then upload your work at the end of the day, or if that's not possible, save a copy to a USB stick as a backup.
But the thing we always come back to is storage.
We are assuming in all our designs reasonably pervasive internet and access to storage. And yes, we can use non Microsoft office suites as an alternative, and these days, if you choose the right distro, changing from Windows to Linux is no more complex than changing from Windows to a Mac.
The elephant in the room is storage provision. Most organisations have outsourced storage (and its accompanying services like backup and consistency checking) to Big Tech for entirely sensible reasons.
If you truly want to free yourself from being dependent on Big Tech for reasons of digital sovereignty, you need to provide an alternative storage infrastructure at scale. And that is neither cheap, nor easy...
Sunday, 25 January 2026
Palmerston railway station
I was looking at the 1891 Australian Handbook, and came across this little snippet in the entry for Beechworth
All fairly clear, except for one tiny problem, I had no idea where Palmerston was. (Except it most definitely was not the one in NZ!)
Wikipedia's quite good on closed railway stations in Victoria, but it's not perfect - there's no entry for Palmerston.
Stations did sometimes change their names so I did a human eyeball check on the map of Victorian railway lines in 1890, and there it was
Saturday, 24 January 2026
Stanley in the 1891 Australian handbook
Given that I'm in the middle of cataloguing the library, and the last spreadsheet we have lists 3200 volumes, including Victorian triple deckers, each volume of which has its own entry (yes, well), it suggests that there must have been some degree of churn in the collection, albeit rather less than would be expected...
Wednesday, 21 January 2026
An old surface ...
Friday, 16 January 2026
Hygenic libraries (again)
I've written before about Hygenic Libraries.
Today's cataloguing exercise up at the Athenaeum brought to light another hygenic library label
Friday, 2 January 2026
A shoestring circulating library
Well, after the Christmas and New Year break, it was back to cataloguing the Athenaeum's historic book collection. I'd managed to complete shelves A4 and A5 before the seasonal break, so today I made a start on A3. (A1 and A2 need a ladder, which has health and safety implications, principally that there's someone else there to call triple zero in case I miss my step and fall off the damned thing.)
Before Christmas I'd accumulated enough evidence to show that the people running the library in the latter part of the nineteenth century were buying second hand books discarded by Mullen's circulating library in Melbourne, or imported second had books from England.
Not all books were bought second hand but quite a few of them have been, including this copy of JM Barrie's A Window in Thrums, dating to 1890.
Initially it didn't look to be terribly promising with a circulating library label on the front of the book.
The label was in poor condition and only just legible
but if you stare at it you can make out the words Horsham and Mechanics Institute. At this point I was envisaging the fun I had tracing the circulating library in Ryde, but they had made it easy for me, with a second copy of the label on the inside fly leaf
I had a look on StreetView and the building still looked much the same in 2024, rather unglamorously located next to a Bunning's carpark ...
I guess the only remaining question is why gentlemen were charged a quarterly subscription of three shillings but ladies were charged 2/6. Was it, given the attitudes of the time, because men were expected to use it for serious study, while women only used it to read romances and sensation novels ...?




























