What happens to our photographs when we die?

 An interesting little question popped into my head - what happens to our digital photographs when we die?

Of course we've all wrung our hands about how letters and postcards have been replaced by email meaning that future generations have lost access to our correspondence, denying cultural historians access to sources that describe how people felt about things, but unless I'm very much mistaken, people's digital photographs have not really been thought about.

For example, and this shows the value of sometimes inconsequential seeming objects,I recently picked up a British World War One propaganda postcard from a postcard trading site. Transcribing it turned out to be interesting, with its hint of war weariness among the population as well as worries over the risk of German air raids.

Interesting, and something that one couldn't do about a contemporary conflict, such as that in Ukraine, because all the communication involved would be digital, and I don't see people collecting 100 year old WhatsApp messages they way they used to hang onto (and collect) old postcards.

Now obviously, one doesn't want to keep everything. Broadly speaking, there are two sorts of photographs in people's collections - the transitory and the significant.

The transitory are images like the cracked tail light on a rental car - you photograph it to show it was pre-existing damage, or the back of a wi-fi router to record the password.

Then there's the significant - examples being all my artefact photographs for the National Trust, photographs of old buildings, J's records of her artworks, and so on.

Once they would have been boxes of 35mm slides, and now they exist on a server somewhere.

And of course not everything physical survives - my geeky teenage photographs of closed railway stations in Scotland have gone to landfill in the course of various moves and relocations, along with pictures of former girlfriends, camping trips and the like.

Some of these may have had some value, some not.

And so with digital images, some have significance, for example some of my Trust photographs show the state of decay for some artefacts, and might be of value to future conservators, etc.

And obviously some work has been preserved - for example I know that some of my artefact photographs have been archived, but not all of them, and of course I don't know which ones.

And increasingly there is a problem.

People's collections of potentially archivable material are changing - emails have replaced paper, digital photographs have replaced analogue film, etc etc.

And of course, there's also the problem of obsolete media - recordings on cassette tape, video tapes and the rest, plus if they were digitised, where did  the digitised version end up, and how is it preserved?

Answers on a postcard?